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Datach'i - Grain de Folie
⏲ 2 min 1 sec ✓ 02-Dec-2015
A Simple Demonstration Between An Analog VCO & DCO Oscillator
⏲ 1 minute 34 seconds 👁 724
#793 915MHz VCO Voltage Controlled Oscillator Module
⏲ 8 minutes 47 seconds 👁 2.8K
ShapeShifter Trinity Patch
⏲ 3 min 44 sec ✓ 09-Jan-2014
VOLTAGE CONTROLLED OSCILLATOR - VCO - Concept, IC 566 Block Diagram, IC 566 Pin Diagram
⏲ 13 minutes 25 seconds 👁 21.2K
Late night BD808 Jam
⏲ 2 min 25 sec ✓ 20-Dec-2011
ADDAC503 Marble Physics . Oscilloscope View
⏲ 1 min 77 sec ✓ 04-Jul-2011
ADDAC502 Lissajous Curves . Oscilloscope View
⏲ 1 min 37 sec ✓ 04-Jul-2011
MacroMachines - Karplus Web
⏲ 2 min 73 sec ✓ 12-Nov-2013
Max Hathaway -- Reel
⏲ 58 sec ✓ 29-Aug-2015
IED for Tiptop Audio
⏲ 59 sec ✓ 10-Feb-2017
MMG as Low Pass Gate test
⏲ 1 min 80 sec ✓ 24-Mar-2013
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_datach39i-grain-de-folie.webp "from the Datach'i album")
_a-simple-demonstration-between-an-analog-vco-amp-dco-oscillator.webp "Eyezer Productionz | Synths u0026 Audio")
_793-915mhz-vco-voltage-controlled-oscillator-module.webp "IMSAI Guy")
_shapeshifter-trinity-patch.webp "Patch experiment using 3 intellijel Shapeshifters in more of a musical patch. I first went into all three modules and saved 12 custom patches for each shapeshifter. The first shapeshifter (far left) was programmed using more lower bass modulated sounds and I set the multi scan function to 8 for both VCO's. This created the odd off time dub step wobble and vocal like effects. The step sequence was set to random. I also saved slightly different echo amounts, and set different decay times for the v")
_voltage-controlled-oscillator-vco-concept-ic-566-block-diagram-ic-566-pin-diagram.webp "Electronics Subjectified")
_late-night-bd808-jam.webp "First patch with the new TipTop BD808 analogue percussion kick drum module and MakeNoise VCO prototype. Sequence is clock triggered from the 4ms RCD, and SCD. Master clocked from one Doepfer A-147 LFO. MakeNoise VCO created the low tone bass tones, and E350 and Tiptop Z3000 MkII ran through Z-DSP/Z5000 for reverb created the drones and harmonies. nnhttp://www.tiptopaudio.com/nnhttp://www.analoguehaven.com/tiptopaudio/bd808/nnNote: all sounds and sequences created on the modular, no drum machines")
_addac503-marble-physics-oscilloscope-view.webp "ADDAC503 Bounce Physics*nn*Early prototype - proof of conceptnnA very simple setup to emphasize how it works:nBall's X & Y Outputs connected through a multiple to the Osciloscope (in XY mode) and to 2 VCO's.nA Gate output is connected to the VCO's second CV inputs: This gate is active when ball hits the walls.nnControls for X & Y tilt, ball weight/elasticity and overall speed.nnmore info soon!nn-nhttp://www.addacsystem.com")
_addac502-lissajous-curves-oscilloscope-view.webp "ADDAC502 Lissajous CurvesnnA very simple setup to emphasize the working method:nFrom two ADDAC502 CV Outputs to 2 VCO's.nnmore info soon!nn-nhttp://www.addacsystem.com")
_macromachines-karplus-web.webp "Late night patch experiment using the new MacroMachines Memory manager expander for the Mungo d0 module.Noise snare source made with the noise engineering ataraxic translatron module that was running into the top section of a Optomix. The setting was set to a closed decay time and I set the dampen control clockwise to cut out the low end frequencies. From there I set the memory manager in sequence to clock at half the time of the main sequence tempo. I purposely set nothing to control the dela")
_max-hathaway-reel.webp "Contact me: mcgrathaway (at) gmail.comnwww.mcgrathaway.comnBig shout outs to everyone I collaborated with!Most recently, these dudes:nKris Cole: https://dribbble.com/Krisco22nJessie Penico: http://www.jessepenico.com/nWeston Vierregger: http://w-v.co/")
_ied-for-tiptop-audio.webp "Video Mapping on a PopUp book.nEdited and directed by IED students (Specialization course - Video Design and Mapping) nhttp://www.ied.it/sedi/firenzennCiabatti Caterina, Zihao Liu, Barrientos Samuel, Carlani Fabio, Catalani Andrea, Casini Francesca, Cortesi Sara, Assante Marco, Centanni Ettore.nnMusic by Tiptop AudionIn this patch two ONE modules were used, they were set like a VCO before a filter in a synth patch playing chords recorded from a vintage Roland MKS80. The signal flow was ONE -> Z2")
_mmg-as-low-pass-gate-test.webp "First patch with the new Make Noise MMG filter.Using the Strike input to emulate a low pass gate.nnSignal path: nDPO VCO 2 sine (lin FM from VCO 1) --> MMG --> Echophon --> monitors (via QMMG VCAs, fully open)nnModulation: nPressure Points pressure out --> MMG cutoff frequencyn")
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