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Japanese town blocks Mount Fuji with big screen<br/><br/>The town of Fujikawaguchiko has had enough of tourists. Known for a number of scenic photo spots that offer a near-perfect shot of Japan’s iconic Mount Fuji, the town on Tuesday, April 30, 2024, began constructing a large black screen on a stretch of a sidewalk to block the view of the mountain. The reason: misbehaving foreign tourists. <br/><br/>Photos by AP<br/><br/>Subscribe to The Manila Times Channel - https://tmt.ph/YTSubscribe <br/>Visit our website at https://www.manilatimes.net <br/> <br/>Follow us: <br/>Facebook - https://tmt.ph/facebook <br/>Instagram - https://tmt.ph/instagram <br/>Twitter - https://tmt.ph/twitter <br/>DailyMotion - https://tmt.ph/dailymotion <br/> <br/>Subscribe to our Digital Edition - https://tmt.ph/digital <br/> <br/>Check out our Podcasts: <br/>Spotify - https://tmt.ph/spotify <br/>Apple Podcasts - https://tmt.ph/applepodcasts <br/>Amazon Music - https://tmt.ph/amazonmusic <br/>Deezer: https://tmt.ph/deezer <br/>Tune In: https://tmt.ph/tunein<br/> <br/>#TheManilaTimes <br/>#worldnews <br/>#mountfuji <br/>#japan
⏲ 0:43 👁 7.4M
The Stretch
⏲ 4 minutes 49 seconds 👁 422
Debby Basjir TV
⏲ 31 minutes 35 seconds 👁 2.1K
Data from the Mars Express orbiter has been used to create a visualization of \
⏲ 3:46 👁 225K
MadFit
⏲ 14 minutes 18 seconds 👁 2.1M
KJRH -TV | Tulsa | Channel 2
⏲ 2 minutes 40 seconds 👁 66
A MAN from New Jersey has stretched his Maserati sports car into a sleek, stylish stretch limousine. Jay Glick, who owns a fleet of limos, spent 10 months and over $75,000 transforming his 2016 Maserati Ghibli Sport. Cutting it in half and stretching its stock components by 130 inches, he has turned the luxury Italian car into one of the world’s fastest limos. Jay told FutureStudiosCars: “It’s elegant, it’s sporty, it’s modern. Right away, as soon as you get in this car you know you’re not in a regular limo. There’s nothing else that stands out like it.” The vehicle has proved a head-turner, drawing crowds of people wherever it goes. Jay added: “Limousines are all about not just taking a ride, but having a special ride. You can’t Uber one of these - that’s for sure.”
⏲ 4:18 👁 645K
Ch3Thailand
⏲ 29 minutes 4 seconds 👁 6.4K
Tom Merrick
⏲ 20 minutes 25 seconds 👁 1.9M
I starring Chiyaan Vikram, Amy Jackson, Santhanam, Suresh Gopi, Ramkumar, Upen Patel, Powerstar Srinivasan, Yogi Babu and Ojas Rajani.<br/>I, the film, has three distinct acts. The first is of Lingesan (Vikram) obsessing over supermodel Diya (Amy Jackson), who smiles down at him from billboards and through the television and in newspapers. His fascination for her results in some bizarre manifestations like the song sequence where his handset and motorcycle (and even a fish in a supermarket) take Diya’s form.<br/><br/>When he is not being just a tad bit leery, Lingesan trains at Arnold Gym (very subtle nod to his idol) to prepare for the Mr. Tamil competition. When a bulky rival tries to scare him away, Lingesan challenges him to beat him at his game and not ask him to back away like a woman. (Bombast dialogue = 1. Notions of gender = 0). The competition plays with the standard masala humourthroughsongs like ‘Made in India’ and ‘Marhaba’to jolt you out of the staleness-induced stupor.<br/><br/><br/>There is a fight scene after that with a few muscled competitors and the hero, because winning graciously is a lost art on them. After punches and bodies fly thick through the air, there is a moment when the men regroup on the hero to jiggle their moobs at him. That is only beginning of the cringe-worthy scenes that are to follow.<br/>Meanwhile, Diya is constantly badgered by her co-model John (Upen Patel) for a date. She does not comply and he uses his clout to remove her from key assignments. Act 2 has Diya grooming Lingesan into Lee, a more enticing professional counterpart. Here, the makers throw in a transgender makeup artist (Ojas M Rajani), the stereotyping making the most hardened viewer recoil. Act 3 features a gruesome sabotage of the hero’s appearance, which morphs into a revenge drama. Lingesan, seething, disfigured and vengeful, will give it as good as he has gotten.<br/><br/><br/>I may not have an original concept, but a less tiresome execution could have worked immensely in its favour. The beginning may seem made with the quintessential flair of a standard potboiler, but the sequences shot in China are truly breathtaking. This happens in Act 2,when the proceedings are still light and Diya-Lee team up for a perfume advertisement. A fight scene shot on the rooftops, with murderous cyclists, is the only one that stands out in the entire film.<br/>Despite being a love story, the romance angle is uninspired. Diya does not seem drawn to Lingesan, except for his machismo.<br/><br/><br/>The dramatic scenes in the latter half of the film are heavy-handed and replete with ham moments that could give a butcher a complex. Lavishly shot song sequences to dot the narrative, end up stretching the film’s running time and the audience’s patience. Despite some stunning visuals, the songs offer little by way of melody.<br/><br/>Even Santhanam, as Lingesan’s friend, can do little to lighten up the dull story. The film is anchored by a good performance from Vikram in Quasimodo mode (that’s some great makeup there), which
⏲ 3:9:3 👁 300K
Faz Faz
⏲ 1 minute 57 seconds 👁 2.8K
Khaos Design
⏲ 16 minutes 59 seconds 👁 22.5K
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