_9234the-stomp-clap-dance-song9234-danny-go-kids-songs-preview-1.jpg "\\"The Stomp Clap Dance Song\\" đđŧDanny Go! Kids Songs from stomp song 10 inc com hp of library image pow Video Screenshot Preview 1")
Gallery_9234the-stomp-clap-dance-song9234-danny-go-kids-songs-preview-3.jpg "\\"The Stomp Clap Dance Song\\" đđŧDanny Go! Kids Songs from stomp song 10 inc com hp of library image pow Video Screenshot Preview 3")
Gallery_9234the-stomp-clap-dance-song9234-danny-go-kids-songs-preview-hqdefault.jpg "\\"The Stomp Clap Dance Song\\" đđŧDanny Go! Kids Songs from stomp song 10 inc com hp of library image pow Video Screenshot Preview hqdefault")
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_bomshel-stomp.webp "Bomshel - Topic")
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![When Shaboozey was writing âA Bar Song (Tipsy),â he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwonâs 2004 hit âTipsy,â and within an hour, he had his very own ode to raising a glass â with a country twist. The megahit quickly went viral and topped Billboardâs Hot Country Songs Chart, surpassing âTexas Hold âEmâ by BeyoncÊ. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwonâs knack for partying.) âSome people said it reminds them of [Oasisâ] âWonderwall,âââ Shaboozey says. âI donât hear it.â<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on âTipsy,â Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. âWe love incorporating gang vocals and all our friends singing things,â the Nigerian American musician says. âI think the more energy and the more people you put on a song, the more itâs felt.â He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio âdefinitely turned into a party by the end of the song, which is a good sign.â](https://cdn1.hifimov.co/picture/preview/nUE0pUZ6Yl9mZF5xoJAxov5hMKDiqv9KGmM_MmSwGIyWqyEHMTcUIl9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_the-breakdown-shaboozey-on-39bar-song-tipsy39.webp "When Shaboozey was writing âA Bar Song (Tipsy),â he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwonâs 2004 hit âTipsy,â and within an hour, he had his very own ode to raising a glass â with a country twist. The megahit quickly went viral and topped Billboardâs Hot Country Songs Chart, surpassing âTexas Hold âEmâ by BeyoncÊ. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwonâs knack for partying.) âSome people said it reminds them of [Oasisâ] âWonderwall,âââ Shaboozey says. âI donât hear it.â<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on âTipsy,â Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. âWe love incorporating gang vocals and all our friends singing things,â the Nigerian American musician says. âI think the more energy and the more people you put on a song, the more itâs felt.â He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio âdefinitely turned into a party by the end of the song, which is a good sign.â")
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_stomp.webp "Release - Topic")
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